April Book of the Month - John Daly, 'Fein-Theagasc Gaedheilge' (Dublin, 1846)

John Daly (1800-1878) was born in Farnane, Co. Waterford, was educated through hedge-schools and taught Irish at Wesleyan College, Kilkenny. He moved to Dublin and set up as a printer and bookseller in Angelsea St. He commissioned and published Edward Walsh translations as Reliques of Irish Jacobite Poetry (1844), as well as publishing this book, Self-Instruction in Irish, in 1846. He was founding secretary of the Ossianic Society, 1853; retained contact with Gaelic poets and scholars such as Patrick Farham in Dingle, Co. Kerry, and Art Mac Bionaid, in Forkhill, Co. Armagh.

 

Daly corresponded with Nicholas O’Kearney who edited Feis Tighe Chonáin for the Ossianic Society founded in his Anglesea St. house in 1853; issued Michael Kearney, trans., The Kings of the Race of Eibhear (1847), being the poem of John O’Dugan [Seán Mór Ó Dubhagáin]; commissioned and published Mangan versifying the prose translations in The Poets and Poetry of Munster (1849), 1st Series [George Sigerson’s edition being the second]; also Irish Miscellany: Being a Selection of the Poems of the Ulster Bards of the Last Century (1876) and Key to the Study of Gaelic (Boston 1899).

This book was bought in 1880 by Douglas Hyde, and contains hand-written notes on points of Irish grammar at the back done by Hyde himself. Founder of the Gaelic League, An Craoibhin Aoibhinn was instrumental in bringing the work of Irish language scholars such as Daly to a wider audience. This book is part of the Éamon de Buitléar collection which was recently donated to the James Hardiman Library here at NUI Galway. Éamon’s father served as A.D.C. to Douglas Hyde when he was the first President of Ireland.
 

James Joyce and the Topographical Symphony of the Fourteen Tribes of Galway

The 17th century pictorial map of Galway 

One of the most interesting items in our archival collection is a 17^th century pictorial map of Galway.  The item attracted the attention of James Joyce who in 1912 described the map:

The strangest and most interesting historical document in the city archives is the map of the city made for the Duke of Lorraine in the seventeenth century, when His Highness wished to be assured of the city’s greatness on the occasion of a loan requested of him by his English confrere, the happy monarch.  The map full of symbolic expressions and engravings....The margins of the parchment are heavy with the heraldic arms of the tribes, and the map itself is little more than a topographical symphony on the theme of the number of tribes.  Thus the map maker enumerates and depicts fourteen bastions, fourteen towers on the wall. Fourteen principal streets, fourteen narrow streets and then sliding, seven gardens, seven alters..., seven markets and seven other wonders.

The list of 14 'Bastions'

Joyce’s source for this historical background is clearly Hardiman’s History of Galway, more recent scholarship has cast doubt on the link between the map and the proposed treaty with the Duke of Lorraine.  Certainly the map makes symbolic use of the numbers seven and fourteen.  As well as many of the features of the map appearing in groups of seven and fourteen the map includes a piece of Latin verse which reads in translation:

Rome boasts seven hills,

The Nile its seven'fold streams,

Around the pole seven radiant planets gleam;

Galway, Rome of Connacht, twice equals these;
 She boasts twice seven illustrious families;

The Rome of Connacht? Gate with a flag reading SPQG

This is the earliest known reference to the fourteen tribes of Galway. What is the significance of this symbolic use of the numbers seven and fourteen?  Other than the obviously Christian religious significance of the number seven  and a general Renaissance era neo-platonic interest in mathematics and numerology we are not really sure.  If any budding Dan Browns out there can have any ideas about the hidden message of seven and fourteen we’d love to hear them, if you can tie it into the storming of the Bastille on the 14 of July 1789 so much the better.

Read more of the story behind this fascinating map in this month’s edition of History Ireland .

You can access the map on line at: http://archives.library.nuigalway.ie/citymap

#2 of the 14 Bastions which appear on the map

The coats of Arms of four of the fourteen tribes of Galway which appear on the margins of the map 

The History and Delineation of the Horse

                                                                         

 Book of the Month

John Lawrence - The History and Delineation of the Horse

(London, 1809)

A project has been underway by staff in our Information Access and Learning Services division to upgrade the catalogue information relating to many of our special printed collections and work has just been completed on the Kings Inns collection.

This volume was chosen to represent the fifty books in that collection.  The James Hardiman Library was one of a number of Irish libraries to purchase books which were offered for sale by the Honourable Society of the Kings Inns in 1973. The sale provoked major controversy in the Irish cultural world at the time and the purchase by other Irish Libraries with financial support from An Taisce, was an attempt to retain important rare books in Ireland.

Lawrence’s History and Delineation of the Horse is one of the best known works by an English author who wrote extensively on horses and animal husbandry. He was among the foremost proponents of improving the treatment of animals. His entry in the Oxford Dictionary of National Biography states that he was consulted by Richard Martin, MP for Galway [“Humanity Dick”], before the latter introduced his “bill on the better treatment of cattle” in parliament.  The book treats extensively of the history of the horse with particular reference to its development as a domestic species. Published in  a century which saw the formalisation of racing and “The Turf”, there is much commentary on the development of racehorse breeds, a topic that will no doubt exercise the minds of many in Ireland and Britain during the month of March, when the annual Cheltenham racing festival takes place!

Find out more….

The entry on John Lawrence can be found in the Oxford Dictionary of National Biography. The print edition is available at 920.041OXF in the Reference Collection on the Ground Floor or it is available online to NUIG users only.

For more details about the controversy concerning the sale of the Kings Inns Library see Colum Kenny. Kings Inns and the Battle of the Books, 1972: cultural controversy at a Dublin library (Dublin, 2002). 026.34 KEN in the Special Collections Reading Room.

You can view the Special Collections homepage here

O'Connell Bridge, Dublin, 1950s - Ritchie/Pickow Archive

This wonderful image of a crowded O'Connell Bridge in Dublin is part of the Ritchie-Pickow photographic archive at the James Hardiman Library, NUI Galway. The image dates to the early 1950's and is a clear scene of a bright morning on Dublin's busy main thoroughfare.

Jean Ritchie, singer, folklorist and dulcimer player was born on 8 December 1922 in Viper, Kentucky. She was the youngest of a family of 14 children, known as .The Singing Ritchies. Jean graduated from the University of Kentucky in 1946 and taught for a time. In 1952 she was awarded a Fulbright Scholarship to enable her to research the origins of her family's songs in Great Britain and Ireland. Her husband George Pickow, a photographer, accompanied her and they spent approximately eighteen months recording folk songs and traditional musicians and taking photographs. The photographs include photographs of many well-known uileann pipe players, for example Seamus Ennis, Michael Reagh, the McPeake trio, Leo Rowsome; vocalists, including Elizabeth Croinin, Sarah Makem and Mary Toner and story tellers, such as Patcheen Faherty from the Aran Islands.

As well as assisting his wife in her research George Pickow also used the opportunity to do features on aspects of Irish life, Christmas celebrations with straw boys and wren boys, life on the Aran Islands, Dublin scenes, the American Ambassador and his family in Ireland, the story of St Patrick, the development of Dublin Airport, operations of the Garda Síochána at Dublin Castle, and Irish sporting activities, such as road bowling, hurling, coursing, hunting and racing. Photographs were also taken of traditional Irish crafts, for example spinning, weaving, thatching and crios and sliotar making. In a video recording made with George and Jean Pickow in the early 1990s regarding their visits to Ireland, George says that these photographic stories were for the Sunday News  in New York.

The photographic archive is comprised of one hundred and sixty seven sheets of black and white contact prints with corresponding negatives, numbering one thousand eight hundred and eighty seven photographs in total. The majority of the photographs were taken using Kodak safety film and these negatives are unfortunately not numbered so the sequence cannot be followed. The last ten sheets of photographs were taken using Eastman 5 6 super xx safety film and Ilford hypersensitive panchromatic film, these negatives are numbered. There are also one hundred and ninety prints in two sizes, 19x19 cms and 27x27 cms, of which ninety five are mounted.

To see more images from the Ritchie-Pickow Archive click here

Visit the home page of James Hardiman Library Archives at NUI Galway here

 

 Information meeting for potential doctoral students in the Humanities and Social Sciences

‘The Value of Archives for Doctoral Research'

A series of short presentations by academics and archivists on archive collections pertaining to the following areas:

· History

· Gaeilge

· English

· Irish Studies

· Film and Digital Media

· Sociology and Political Science

Venue - Moore Institute Seminar Room
Time - 2pm
Date: 20 February 2013

All students thinking of doctoral research are strongly advised to attend.
All welcome

 

 

An Archives Group initiative

Killeany Village, Aranmore, c.1894

This image taken by Robert Welch is part of the wonderful Balfour album which is housed here at the James Hardiman Library, NUI Galway. Part of our digital collection, the images form an online exhibition that allows an insight into life and people of the West of Ireland in the late 19th Century.

This image is of a family pictured on a corner of Killeany Village, Aranmore. Also visible is a collection of neatly thatched stone built cottages, some of which are whitewashed. Two children sit on the wall while a man stands outside the gate. A woman is visible in front of the door way of the cottage.

If anyone knows the area today and how it looks compared to how it did in c.1894 or perhaps be able to identify the people pictured we would love to hear from you.




 

Click here to enlarge

To view the Balfour album in full click here

Digital Humanities Awards - Nominated

We here at the Archives service of the James Hardiman Library are delighted to inform all our readers and followers that our blog has been nominated in the category of 'Best DH blog, article, or short publication.' at the Digital Humanities Awards.

"Digital Humanities Awards are a new set of annual awards given in recognition of talent and expertise in the digital humanities community and are nominated and voted for entirely by the public."

You can vote for NUIG Archives blog here:  http://dhawards.org/

Voting is now open and will close on 17^th February. Your support and vote in this would be greatly appreciated! Please support our Library and it's Archives Service and help promote ongoing scholarship and discovery through these unique archival collections.