Event marking the accession of the M J Kilgannon Collection to the Library

 

On Wednesday 8^th July we had the pleasure of welcoming the family of M J Kilgannon to the Deirdre and Irial Finan Archives and Special Collections Reading Room to mark the accession of papers relating to his life and work. Monica Crump, University Librarian, welcomed the wife, children and grandchildren of ‘the man who stopped the train’ in Woodlawn who came from Ireland, England and New Zealand for the event. Monica highlighted the use of the collection for many areas of research for our students in the years ahead and thanked the family for their donation of papers to the Library.

MJ Kilgannon was a Fine Gael county councillor in the 1970s-1980s for the Ballinasloe area. He was a strong community activist, heavily involved in group water schemes, community development and the heritage of Woodlawn and its vicinity. He was school principal at Ballymacward National School for many years. He also campaigned for mental health supports at a time when there was not much there. He is perhaps best known as the man who stopped the train at Woodlawn in 1977, campaigning to keep Woodlawn station open at a time when it was threatened with closure. He would also have campaigned to keep post offices open in later years.

The collection fits in with a number of research themes across our collections. One of MJ's uncles, Tommy, died in the Titanic, so that ties in a lot with the transatlantic journey recorded by many people in the Imirce material. Another uncle, John Nutley, a member of the RIC, was killed outside Bansha Church in May 1921 during the War of Independence, this ties in with a good number of the political collections. The history of the Woodlawn area comes across in his papers very much, so people like Lord Ashdown and his opposition to the Land Acts tie in with a lot of our Landed Estates material. The intersection of community activism, local politics and rural development is a theme researched a lot in Soc & Pol, Geography and History, and his views on the changes in national education from the 1960s to the 2010s are very interesting also from the research point of view. The connection with Muintir na Tire is very interesting, and how community councils took over the role of Parish Guilds, including group water schemes, community councils themselves and community alert. By keeping the Woodlawn train station open, for example, that became an important piece of infrastructure in the locality that has keep young families coming into the area, ties in with engineering and transport studies for Galway and its hinterland in our holdings.

Anyone wishing to access the collection can get in touch with us in Heritage Collections.

Botanical Books

As June draws to a close, flowers and plants are alive with colour. This month's Explore Your Archive theme, #EYAColourful, offers an opportunity to showcase some vibrant botanical books from our collections. Spanning the seventeenth to nineteenth centuries, these three books explore plant life through the lenses of art, science and gardening.

Wild Flowers and Plants of Rathlin Island

Off the north coast of Antrim lies the peaceful and rugged island of Rathlin. In 1746, Reverend John Gage bought the island from the fifth Earl of Antrim for £1750, and successive members of the Gage family developed the island from there. In the early nineteenth century, Catherine and Barbara Gage lived on the island and developed a keen interest in its plants and natural history. From 1840-1850, the sisters painted the wildflowers and garden flowers that surrounded them, and their albums were acquired by Belfast’s Linen Hall Library in 1998.

To mark Linen Hall Library’s 225th anniversary in 2013, eight of the Gage paintings were released in this limited-edition publication, Wild Flowers and Plants of Rathlin Island. Catherine and Barbara Gage’s paintings are a beautiful record of the island’s nineteenth-century flora.

Erucarum ortus, alimentum et paradoxa metamorphosis

Maria Sibylla Merian’s ‘Caterpillar books’ combine art with scientific observation. Born in Frankfurt in 1647, Merian had an interest in insects from a young age. She spent over fifty years rearing caterpillars and recording their transformation into butterflies and moths. Trained by her artist stepfather, she also became an excellent painter and she used her artistic skill to document the natural world. 

Her research was published in three volumes of the Raupenbuch (Caterpillar Book), originally written in Dutch between 1679 and 1717. Hoping to reach a wider international audience of scientists, Merian began translating her books into Latin, the universal language of science at the time. After her death in 1717, her daughter Dorothea finished the translations and oversaw the publication of the first Latin edition, Erucarum ortus, alimentum et paradoxa metamorphosis. Merian’s research into the relationship between plants and insects was a foundational contribution to the development of modern entomology, the study of insects.

This edition is printed in counterproof, a process that takes impressions from freshly printed images instead of engraved plates. This method preserves the original orientation of the artwork as well as the intricate details and vibrant colours.

Familiar Garden Flowers 

Described as the Father of Amateur Gardening, James Shirley Hibberd (1825-1890) transformed gardening literature in Victorian England.

After working as a bookbinder, bookseller, writer and journalist, he eventually turned his attention to horticulture. At the time, gardening publications were written for wealthy estate owners who hired professionals to maintain their gardens. Instead, Hibberd wrote as an amateur gardener for amateur gardeners. His advice came from his own experience experimenting with different methods for growing flowers, fruits and vegetables. He made gardening more accessible for ordinary people by recommending plants suitable for smaller gardens and more resilient to smoky urban air.

Familiar Garden Flowers is the second volume of a multi-volume series published between 1879 and 1897 with text by Hibberd and illustrations by F. Edward Hulme.

Pomes Penyeach

         Pomes Penyeach

In July 1935 James Joyce wrote to Professor John Howley, the librarian at University College Galway, regarding his gift to the university library of his book Pomes Penyeach. Joyce wrote that he ‘wished to offer a copy to your library [not only] because the designer of the lattices is a granddaughter of your city and the writer of the verses bears one of its tribal names...’

Pomes Penyeach is a collection of thirteen poems which was originally published in 1927. In 1931 it was suggested to Joyce that a limited edition be published with illuminations by Joyce’s daughter Lucia. Twenty-five copies were printed in the summer of 1932 by the Obelisk Press. They were printed on an iridescent Japanese paper made from silk and bamboo and the poems were reproduced in a facsimile of Joyce’s writing. The initial letter of each poem was illuminated by Lucia.

Joyce’s uncle-in-law, Michael Healy, acted as intermediary. In a letter to the librarian in August 1935 Healy wrote “it may amuse you to know that a few days ago Mr Joyce was informed by the publisher that a short time ago a copy of it was put up for auction in England and the show catalogue informed would be purchasers that the book was an ‘indecent Japanese paper”’.

‘A flower given to my daughter’