European and Western performance discourse historically has often
presumed a hegemonic and majority white field of practice despite an
increasingly diverse European population. How does the present reality
of European theatre and performance challenge traditional assumptions?
And how specifically does formal innovation provide the space for
critiques of power and hierarchy that may rework the concept of “Europe”
as realized through performance? How have artists responded through
form to neoliberalism and globalization in the wake of the most recent
world economic crisis and how does their specifically European context
set the terms of this response?
The spread of Live Art has put pressure on the institutional theatre
as the primary cultural site for performance in many European nations.
Yet, discussions about the usefulness and limits of postdramatic as an
umbrella term for interdisciplinary work that resists overdetermining
dramatic literature might seem to characterize this moment in European
theatre and performance studies. This conference queries what it means to define the field of European
performance. As such, we invite submissions that will consider key
debates in terminology surrounding innovative emerging work, seeking
also to build on older genealogies of practice in Europe and beyond. For
the purposes of this conference, we will use “European performance” to
designate work that happens within the continent as opposed to the
European Union exclusively, although these differential power dynamics
will be crucial to our inquiry.
Meanwhile, experimental performance
methodologies including devising, site-specific approaches, performance
art and new media are increasingly taught within universities, signaling
an integration of knowledge that may confirm the field of the
“contemporary” through institutional status, but suggests that these
practices may no longer be the cutting edge. By considering
macro-European trends in relationship to national case studies, “Pushing
Form” will explore the meaning of “contemporary,” “European” and
“performance” in relationship to each other. We hope to map not only the
current field, but what may lie just beyond it.
For further information, please contact any of the conference organizers:
Dr Charlotte McIvor, NUI, Galway: charlotte.mcivor@nuigalway.ie Phone: 00 353 91 492631
Dr Siobhán O'Gorman, Trinity College Dublin: siobhanmogorman@gmail.com
Dr Miriam Haughton, University of Ulster: miriamhaughton@hotmail.com
'Pushing Form' is sponsored by the Millennium Fund and NUI Galway Drama and English.
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